Music Theory Classroom is a four-course, one- to two-year music theory curriculum designed for high-school and homeschool students. It covers the material studied by music majors in the first one to two years of college, but it is structured so that a diligent student can complete it in three 14-week terms. The four courses in the curriculum include: two Fundamentals courses which are intended to be taken concurrently, followed by Diatonic Harmony and then Chromatic Harmony . Each course has 28 lessons, so the recommended pace is approximately two lessons per week. For a more complete description of the curriculum, check the MusicTheoryClassroom dot com website.

The course is designed to help those who want to learn the basics of Music Theory, as well as to those who prepare for ABRSM, Trinity, or similar board Music Theory Grade 1 Exam. The lectures include examples of how the knowledge can be used, and they are followed by quizzes to check student's understanding.

*** ENROLL IN THE #1 RATED Music COURSE ON UDEMY TODAY! *** ===================================================== Review from Chris T Chris T Rosa has an unique was of teaching, She structure the course in a way, it let us figure out things first before giving us answers, not spoon feeding us. No dry boring lesson , I feel I'm being taught by how & why it 'works'... and not traditionally rigid like many other course out there. Thumbs up & keep up the good work. **************************************************************************************** Circle of 5ths Level 2 - Intermediate to Advanced This course takes musicians to apply more advanced music theory into their playing - Tritones, Tritone Chord Substitutions, Jazzy Chromatic Chord Movement, 36251 Turn Arounds. It is important for all musicians, whether you play guitar, piano, ukulele, violin, harmonica, or any musical instruments to develop an intimate knowledge of the Circle of 5ths. The Circle of 5ths is a visual picture that tells us the relations between keys, scales, chords, chord progressions, tritones, tritone chord substitutions, pentatonic scales, blues scales, 7 modes of music, etc. The Tritone chord substitution is one of the most commonly used chord substitutions in jazz. By using tritone chord substitution, you often get a beautiful chromatic bass line in the song and especially in turn arounds. When it comes to more advanced music theory, students get confused and give up in their struggle to advance in their musicianship. Here's the secret:  Learn to use the Moving Circle of 5ths Dynamically !  When you know how to move the circle around to understand Tritones and how the interval is created in the Dominant 7 chords, you will understand why professional musicians do such smooth voicing because they know how to concentrate on the 3rd & 7th tones easily. In this Circle of 5ths Level 2 course, I will show you  how to use the Circle to do Tritone Chord substitutions with Dominant 7 Chords and Minor 7 Chords. In this way, you will have many more options in your music compositions other than the normal Diatonic Chord Progression & Secondary Dominants that you learned in Circle of 5ths Level 1 Course. When you do Tritone Chord Substitutions, you begin to learn advance music harmonic sounds, and the importance of doing smooth voicing, chromatic bass line chord movement in turn arounds that audience loves to listen to. In this course, I will also show you when Tritone Chord Substitutions work and when they don't work. There are some rules you need to follow so that you create beautiful harmonic sounds in your piece of music, whether reharmonizing a song or in the writing of your own songs. You will be doing a lot of assignments so that you learn to find the answer yourself .  What you discover sticks with you much more than what you are told. It is easy for me to lay out all the answers and theory for you. What is unique in the course is that I will coach you along to help you think and discover the answers for yourself in a creative way. The following topics will be covered extensively: Tritone Chord Substitution Tritone Wants to Resolve Tritones in All 12 Dominant 7 Chords Advanced Harmony: Put in Tritone Chord Substitution Two Magical Ways to Find the Tritone Chord Substitutions Tritone Chromatic Movement Song Application - Little Brown Jug - Putting in Tritone Chord Subs When To Avoid Doing Tritone Chord Substitution? Improvisation on ii7 V7 I Jazzy Turn Around - 3 6 2 5 Formula for the Jazzy Turn Around 3 6 2 5 in C Key Turn Around in Eb Key - Misty Improvise on the 3625 Turn Around in all 12 Keys Tritone Chord Substitution to Minor 7 Chords Minor 7 Chord Substitutions Golden Rule of Tritone Chord Subs Applying Golden Rule to 36251 Progression Apply Tritone Chord Substitutions to E7 A7 D7 G7 C Only Need One Circle to Find Tritone Chord Substitutions As you can see, we will be covering a lot of topics so that by the end of the course, you will be able to apply Tritone Chords effortlessly! I'll see you in class, Rosa ======================================================== Listen to what some of her students are experiencing in her Circle of 5ths Level 1 Course: Ivan Bradley I have been teaching myself to play the ukulele for the past few months but had been struggling to understand which chords went together and why. I was able to play by ear but it was entirely through guesswork. The circle of 5ths really helps you understand how chord progressions work and Rosa's moving version makes so much more sense than a static circle. It's only been a few days since I started the course but I feel that I have a much better understanding of music theory already. Plus Rosa's voice is so pleasant! I really look forward to listening to the videos and playing my ukulele after a long day at work. Melody Evans I play guitar, Indian flute, and dulcimer, all by ear. This class is helping me to understand music like I have always wanted to. Don't get me wrong, I love playing by ear; I have just always wanted to also understand music. It is a real time-saver for me when I can refer to my Magic Wheel instead of listening for the note or chord that fits. This has opened up a whole new aspect of music for me. Thank you, thank you. *************************************************************************** Rosa's Online School: Teaching 93  Courses on Music & Piano Courses! OVER 74,000 Successful students have already taken my online courses since July 2014 with many 5 Star Reviews ************************************* About Rosa's online course at Udemy: Over 74,000 very happy students already in my Udemy classes See the 5 Star Reviews from VERY satisfied students You get free lifetime access All videos are at your finger tips to watch anytime & anywhere All future extra lectures and upgrades are always free Unconditional Udemy 30 day money-back guarantee and that's my personal promise to your success! Join this happy family of students

This 32-video course will teach you powerful tools for performing complex rhythms and polyrhythmic cycles, especially those found in Western contemporary classical music, Indian classical music, and jazz. Concepts from the Karnatic rhythm theory of South India are generalized to illustrate rhythmic techniques that can be applied to any style of music and any instrument. Rhythms are learned using vocal syllables called Solkattu. Learn a college semester's worth of material from home. By the end of the course you will be able to perform complex phrases in odd divisions, polyrhythmic cycles up to 9:8, phrases in polyrhythmic frames, and more. You will acquire an exciting collection of raw material for composition and improvisation, as well as new techniques for interpreting scores with rhythmic complexities.

When tutoring music theory at the university-level, I would often see students who struggled in the classroom setting. Much of the time this is because everyone thinks and learns in a different way. What makes sense to some students, might have to be explained another way to others. I have designed this course to address this problem by explaining concepts through several different mediums and in various ways. This course is a standard, university-level music theory class. The material covered at universities in beginner music theory classes is the same material covered here, but here it does not cost nearly as much. Another benefit of this format is one can go through it at their own pace and are not rushed to complete everything throughout one semester. Once purchased, the student will have access to this class for life. So, students will be able to regularly review any concepts they might struggle with. This class is comprised of: Written lectures that operate as chapters for a simplified textbook Video lectures that cover the written material in depth Quick definitions guides for each lecture Exercises to test one’s understanding and answer guides to check each exercise Quizzes for each section Examples of topics covered in this course include: Reading pitch Reading rhythm Reading most other symbols in music notation Tempo Time signatures Tuplets Key signatures Keyboard pitch labeling Dynamic indicators Tone-color Solfège Scale degree numbers Intervals Quality Major and minor scales Modes and pentatonic scales Triads Seventh chords Figured bass Lead-sheet notation Chord progression construction And many more subjects pertaining to the aforementioned material This course is the first in a series that will cover the entirety of undergraduate level music theory classes. Students enrolled in this class will receive discounts on future courses of mine.

In this course you will learn how to read and sing Byzantine music. Those "hieroglyphs" you saw in some books will no longer be unknown to you. Arm yourself with courage and patience because something unprecedented awaits you. This amazing course will open for you a lot of doors in your development and not only. Sing Byzantine!

This course aims to consolidate musical information about how the musical staff relates to nature through the harmonic series. Basically, as sound vibrates, the proportions of those vibrations create overtones that have been observed for many centuries, if not thousands of years. Understanding how they relate to the musical staff can deepen one's theoretical understanding of chords and scales. This is definitely the course for a musical beginner looking to learn more!

Learning how to write and create Music with Music Theory effectively will dramatically improve the quality of your music and the speed you create it. In this course, you will gain a basic understanding of Music Theory and ideas techniques and formulas to use when creating your own electronic music to allow you more options. You'll learn the beauty and the power of the basics of music theory that's used by professionals today. This course will cover such topics as • Major scales • Minor scales • Major chords • Minor chords • Diminished chords • Chord progressions • Relative minors, • Modes, • How to write Melodies • And more What you'll learn in this course will make you a better music producer, and improve your songwriting abilities in any Digital Audio Workstations! Learn to love music theory and creating electronic music with these easy to learn techniques today. Go ahead and click the enroll button, and we'll see you in lesson 1! Cheers, Tomas.

This course gives you the insight and knowledge on how to produce a retro sounding Disco Boogie record inspired by the early 1980's producers such as D-Train, Shep Pettibone and record labels such as Sam Records and Prelude Records. The course is designed for Ableton Live users and should take around 3 hours to create. The course is set out into different sections starting with beat programming right on through to mastering the track. It is structured in a simple and easy to follow manner. You should take this course if you want to extend your genre styles within music production and to gain useful tips on how to create classic Disco music with modern technology.

This Course 1, Section 1 course focuses on learning to notate basic rhythms and notes after listening to a melody. Through listening exercises and instruction, a student will be able to correctly notate a melody. This includes identifying simple time signatures in which the quarter note receives the beat and notate simple rhythms. A student will learn to identify different key signatures and scales and transcribe what they hear.